Music Files of SEPARATION OF MUSICAL NOTES WITH HIGHLY OVERLAPPING PARTIALS USING PHASE AND TEMPORAL CONSTRAINED COMPLEX MATRIX FACTORIZATION

• The sound example 1: The temporal smoothness parameter γ [All]
  
• Mixture : A3+A4
• Original : A3   A4
• Separated with gamma=0 : A3   A4
• Separated with gamma=0.1 : A3   A4
• Separated with gamma=0.5 : A3   A4
• Separated with gamma=1 : A3   A4

• The sound example 2: Piano [All]

[a] Fifths (A3+E4)
• Mixture : A3+E4
• Original : A3   E4
• Separated with gamma=0 : A3   E4
• Separated with gamma=0.5 : A3   E4

[b] Octaves (A3+A4)
• Mixture : A3+A4
• Original : A3   A4
• Separated with gamma=0 : A3   A4
• Separated with gamma=0.5 : A3   A4
[c] Tritaves (A3+E5)
• Mixture : A3+E5
• Original : A3   E5
• Separated with gamma=0 : A3   E5
• Separated with gamma=0.5 : A3   E5

• The sound example 3: Guitar [All]

[a] Fifths (A3+E4)
• Mixture : A3+E4
• Original : A3   E4
• Separated with gamma=0 : A3   E4
• Separated with gamma=0.5 : A3   E4
[b] Octaves (A3+A4)
• Mixture : A3+A4
• Original : A3   A4
• Separated with gamma=0 : A3   A4
• Separated with gamma=0.5 : A3   A4
[c] Tritaves (A3+E5)
• Mixture : A3+E5
• Original : A3   E5
• Separated with gamma=0 : A3   E5
• Separated with gamma=0.5 : A3   E5

• The sound example 4: Violin [All]

[a] Fifths (A3+E4)
• Mixture : A3+E4
• Original : A3   E4
• Separated with gamma=0 : A3   E4
• Separated with gamma=0.5 : A3   E4
[b] Octaves (A3+A4)
• Mixture : A3+A4
• Original : A3   A4
• Separated with gamma=0 : A3   A4
• Separated with gamma=0.5 : A3   A4
[c] Tritaves (A3+E5)
• Mixture : A3+E5
• Original : A3   E5
• Separated with gamma=0 : A3   E5
• Separated with gamma=0.5 : A3   E5